7.31.2026

Reflecting on Last Night’s Yin/Restorative Yoga Class




      

My training and focus have always been on vinyasa with dynamic fast-flowing movements (you don’t have time to think about anything else as you’re ‘in the moment’ and focused on quick mini-adjustments with positioning). Ashtanga primary and secondary series come to mind as both series are fixed routines where ujjayi (breath) and bandhas (energy locks) build deep heat through extreme physical stamina. Two nights ago I took a vinyasa class because that’s what my body always craves, always knows, always.

So last night I was challenged in remaining in the moment through deep connective tissue repair work in holding long poses in a restorative yoga class. This ‘soft style’ doesn’t involve muscle effort so much as mind control work- holding (sitting) poses for long stretches of time. You use a lot of props to support & relax muscles so you can dive deeper into the real challenge of shifting your body out of ‘fight or flight’ mode and into a deep mental and physical recovery mode. At its core, this style is to set up a nervous system reset.

Time (physical stillness) replaces effort as your mind is forced to slow down; a powerful meditation. Those minutes of holding a single pose force you to go inward and use your ujjayi to go deeper without letting your mind wander, hence the challenge. The deepness you naturally sink into now gives the body time to release the tension in order to stretch and lengthen the fascia- especially in the hips, where typically cyclists and runners experience muscle shortness/stiffness. The result is your body produces more collagen and you become more flexible.

Class started at 17:45 and finished at 19:30, but time had lost its edges, so it hardly mattered. My body was buzzing in such a relaxed way that I find choosing words to describe the experience challenging. The four of us and teacher sat around afterwords, drank tea, and bonded before transitioning back to reality. The setting was this cool old house in rural Ermida (Vale da Ílhavo) next to the Boco River, which drains into the Aveiro Lagoon and on to the Atlantic. I floated out the door in such a dream-state; my perspective on everything was altered. The sharp edges of my mind had been rounded out. I was fortunate in that I drove as I don’t think my legs would have allowed me to pedal the seven kilometers back, but not because of muscle soreness. Instead, my limbs didn’t want to work; they wanted to float.

The rest of the evening was passed in a hypno-pompic state of consciousness, plus some da kine. Gafanha da Aquém’s festas had just started, and the music lured me there about 22:00. It was like I was floating above myself, watching my actions; dancing, talking to strangers, people-watching, etc. My newly discovered biker bar felt like a refuge as I had just recently met the owner when I needed some inner tubes for my bicycle. So, I knew one person there, and it felt like a place I could peacefully enjoy the activities from. As much as I wanted to dance until the roof caved in, my heart was set on home and continuing this inner peacefulness state that I’d achieved from not just yoga class but the beach and surfing earlier. I needed to be alone to really absorb what a fucking beautifully monumental day it was for me.

I’ve been so physically active cycling and running that I haven’t given myself time to focus on honoring my body by restoring it to let the calm seep in- to compliment the physical aspects. I’m in this transition-state of being deeply exhausted yet hyper-aware. It was a necessary self-intervention for sure!

I woke up at 4:00 am again and went outside to see if I could see any remaining meteor showers and do some writing. It’s now 6:00 and, from what I can tell, I’ve only written a bunch of half-developed thoughts and definitely have not been able to eloquently pen them! This feels like a ‘brain dump’ where my non-linear thoughts are moving faster than my typing can keep up with. The result likely doesn’t make sense to anyone reading, but...whatever. This is my therapy!

I can feel my body is still quietly pulsing with this mysterious energetic force traveling my inner highway- delivering life-force energy (prana) to all my chakras— most notably to my sacral chakra (very fortuitous). Something is brewing and it’s intoxicating and a pleasure to be consciously aware of this flood of endorphins, dopamine, and a deep cellular calm. I can feel this chemistry, or alchemy, happening. My energy is flowing freely as I’m intoxicated yet tranquil. I still can’t find the words, but maybe I can say that it feels as if my body is fully receptive to the pleasures of life and the of wildness.

And… all this is from 1 restorative yoga class. Imagine the possibilities.

 

7.30.2026

Celestial Seduction: meteor showers vs the waning gibbous moon...

  

3:50 am


Deep into the Bewitching Hour, the air is crisp and cool outside. I set up my watchtower to view the Delta Aquariids meteor showers. The moon threatens to invade my space, though. Tonight, an unwanted intruder, perhaps it is ready to hold a silent silver conversation with me, but I don’t need its counsel tonight. I want darkness to caress the clear sky for sustained viewing. I need the void.

The first flash came shooting across! Success! I am smitten.

The cold air presses against my skin like silk sheets. The moon, ever a possessive voyeur in this moment demanding to be looked at, creeps into my celestial theater, but passing clouds rise up to the occasion to devour it. I am appreciative, so I intend to be rewarded with more white-hot needles piercing the night sky.

The showers do not come consistently, so I am patient to witness the cosmic debris meeting eARTh in a violent embrace. As each meteor scrapes against the nighttime canvas, it leaves a glowing stream of friction in its wake. Delightful.

Each streak feels like an electric touch that leaves my skin tingling as the glow dissipates. Perhaps it’s also the cold air tightening my flesh as I watch. Tonight, I am the voyeur, waiting in the shadows, seeking to witness a celestial seduction, to witness unfiltered wildness of the open sky.

The moon is winning the battle, though. She dictates that the clouds pass by without cloaking her brilliance. So now I re-focus to observe this act of defiance. I consider that the moon has exacted her revenge on my refusal to acknowledge her. Under her direction, the clouds march across the sky, impairing my view of everything but her.

I try to sweet-talk her into acquiescing. I divulge my secrets to her from the day, coaxing her to part the clouds. Her unspoken response is positive; the sky becoming clear once more. She is appreciative of my silent confessions from the day and shows her gratitude. We both know she is a force to be reckoned with, and so am I. We share our intimate pact together.

Another flash briefly shoots through the sky (an hour after the first)!

5 am and the show is over for tonight’s event. I’ll be better prepared for tomorrow night’s show…Unfortunately the meteor showers coincide with the moon’s fullness.  

7.28.2026

7 Gardens To Tend To

 

 


 (NOTE: I started writing this in Morocco and finished it here in Portugal. It's interesting (to me anyway)) to see how my tone switches between countries.)

 

7 Gardens To Tend To

 

(Muladhara)

 

Firmly rooted, my root chakra

What carries me through this long strange trip

Of life

Nurtured on nectar,

I tend to My Garden

I am rewarded with a bountiful grounding

 

(Svadhisthana)

 

My sacral chakra, a hot mess of tangled vines

Born and raised on a steady diet

Of sensuality

Of sexuality

 

On a feeding schedule of desire tended

By stardust

By sunburst

By moonlight

 

A fine line of symmetry and overindulgence, this secret garden

Visited with urgent frequency

Fed to gluttony

 

For I cannot control all the beautiful weeds

That wish to plant themselves

Amongst my velvety vines

I push them out at my whim

Starve them until they wither

And die

 

Craving this garden to flourish

During moonlit walks

In the Bewitching Hour

When all my white flowers release their nocturnal essences

Disperse as they are taken by the wind          (Stevie Nicks reference)

 

A continuation of chakras, penned in Portugal:

 

(Manipura Chakra)

 

My solar plexus, a fiery landscape

Seeks coolness to pacify temperament

To fuel personal power

 

To digest

the vastness of the ocean

I swallow the horizon

To digest

the expanse of the mountains

the Serra do Carvalho collapse into my belly

transmuting the elements

I am becoming the alchemist of all my desires

 

(Anahata)

 

Sanctuary emerging

Rising from ashes of transformation

Chest expanding from a swallowed horizon

Emerging to unconditional love

Pillars of emotional strength

From the weight of collapsed mountains

 

Receiving, not consuming

Abundance of heart

As vast as the ocean

As anchoring as the mountains

 

(Vishuddha)

 

I ready myself to speak to the world

A saudade of expression birthing

Truths of my long strange odyssey emerging from my mouth

Every word a blue azulejo

Forms a mosaic

My story of existence

 

I learn to sing my own fado

Unapologetically

Someone, anyone, no one chooses to listen

My speech directed to the ocean, to the mountains, to the sun

Especially to the moon

During the Bewitching Hour

That is privy to my desires

 

My throat is parched

For this chakra is still wild

Untethered

Pieces of the mosaic yet to be discovered to completeness

 

(Ajna)

 

Just as the Farol da Barra searches

Searching for completeness requires inner wisdom

The blueprint of the long strange odyssey,

Etched into my forehead, wisdom

 

I am my own cartographer that I seek

I map the terrain of my soul

Every horizon swallowed

Every mountain collapsed

I am the lighthouse

 



(Sahasrara)

 

Have I reached the apex?

No

I, cartographer, will step off the edge of the vellum

Map burning

Seeking out the light-ness

All will be released into nothingness

 

The lighthouse will shine

Silent sounds of the roar of the ocean

Silent sounds of the static of the mountains

Sovereign

 

Seven gardens will dissipate into the vast unknown

7.27.2026

Intervals of Grace

This evening's apocalyptic sunset

 

 

In the Bewitching Hour, 2:37 am

Something woke me up. I stepped out onto the lanai to ask the waxing gibbous moon why. The moon is red, yet it is not a red moon. The haunting beauty of a smoke-dyed crimson moon is a heavy sight. Local fires in the surrounding area make for beautiful sunsets and moon rises, unfortunately. The air holds a quiet contradiction.

 

But the moon isn’t giving up her secrets in this Hour. I’m content to just gaze into the void and feel the comfort of the cool air surround me after a sun-baked day. The Farol da Barra in the distance rotates, its light flashing across the horizon in steady rhythm. It too searches.

 

I’m watching a silent conversation between two beacons of light. I ponder that in such a seemingly heavy world the only response is to sit still and observe with graciousness. So, this has me thinking; one beacon warns of fires spread out across Portugal, and the other beacon guides mariners safely home.

 

No questions are answered, only a luminous reminder that grace exists in quiet intervals of a burning world.

 

7.25.2026

Affairs of the cosmos; an intimate theft

   

Affairs of the cosmos; an intimate theft

Dedicated to the upcoming solar eclipse on 12 August, 2026

 

Furnace of gold is he

The moon, she

Shadowy silhouettes

They gaze at each other

They are still so far

Away

Trajectories never permitted to touch

Except for this single stolen hour

 

Her luminous body slowly pressing against his blinding heat

A celestial embrace

A collision of desire

Late-afternoon of delight-

Full vibrant resinous amber hues

Alchemy of sharing secrets in the darkness

eARTh shivers

two celestial deities lose themselves in one another

 

suspended above the sea,

their union peaks

mortals look closely

she is a halo of pure white fire

a lifetime of waiting releases

sun and moon alchemize into unified twilight

 

cosmic law, though, dictates

their union cannot last

all mankind should heave a collective grateful sigh of relief

she makes the first move

her dark form sliding away

from his golden warmth

 

a broken embrace

a horizon bruises

crushed violets and crimson rose petals scatter

across the skyline

the sun, alone, sinks into the Atlantic

sulking

aching

the touch of his fleeting lover

he carries within his rays

 

the moon?

Again, she slips between eARTh and her lover

Only to move on

To separate again        `

 

She

A phantom receding into the void

He

Will burn through a thousand lonely dawns

Seeking out her silhouette on the tide

Until they again find their rhythm

 

Another cycle of stolen theft...

 

NOTE: if you’re going to watch the event, make sure you have your ISO 12312-2 certified solar eclipse glasses to protect your eyes. if you're in Portugal, you can get a pair here:

 

https://clubdavisao.pt/campanha/eclipse2026

 

 

7.23.2026

Separation—

  

Separation—

 

Circumstance builds the wall

without consent,

a cold monument built by fate.

Is time punishing, or is it not?

The past? The now? It grows

each day remaining separated.

 

I endeavor to cloak the wall with night-blooming jasmine

so I can smell a distant shadow

deep into the Bewitching Hour,

when the wall doesn’t seem so imposing,

when communication flows without restraint,

when unbound lust blossoms, wafting beyond confinement,

lost in a ghostly embrace

behind the wall.

7.22.2026

Louredo and the Mondego River Runs Through It

 




Pre-run dip in the Mondego River


One of my favorite secret spots

My run today from Louredo to Penacova along the Mondego riverfront trail 


Back in Portugal and back to my go-to favorite places along the Mondego River. Following the river from Louredo as it carves a path through the landscape, I felt like I was (slowly) moving through a living canvas. The river was so calm— to the point of drowsy— such as I was (thank you for that, Solo_Ojo). 

Getting closer to Penacova, the valley became narrower and steeper. The scent of eucalyptus permeated the air while the hot summer sun baked me. The sound of cicadas was my background music.

This past spring I biked some of this route, but running it made it seem like a fresh experience.  Once I spotted the white houses clinging to the side of the valley walls, I knew Penacova, up above, was within reach, so I turned around and trotted (yes, a very slow cadence...) back to Louredo.

 After a slow drive back north a bit, I finished off the day at Barra in Garfanha da Nazare for sunset. Today was just the type of day that I didn't even know I needed. 





7.18.2026

ReallyDirtyPoetry.Series:17.July.2026

 I'm resurrecting my 'Really Dirty Poetry' series from twenty years ago. Inspired by my archaeological work in the field, I would write poetry out on various job sites— either while monitoring large machinery, doing data recovery, or during down-time moments of surveying and mapping. So, yes, it was a dirty, dirty job, and I documented it the best I could. 

Fast-forward 20 years, I'm revisiting these older works and updating the series to include for my dirty, dirty time cycling and running here in the mid-Atlas Mountains. 

 

 ReallyDirtyPoetrySeries:17.July.2026

 


  

She ran and ran and ran until she broke.

The semester clung like dust to salt-slick skin,
driven out by her Hoka One Ones that bite the mud.
A heavy heave, a spiritual vomit from within,
painting trail grime against her rushing blood.

 

Dry mid-Atlas sun baked the barren waste,

Dust coated her swallowing throat,
coughing up deadlines, meetings, lesson plans…gasping for the heat.
Shedding every lecture, every grade until there is no more—
just the filthy, beautiful rhythm of the trail.

 

Left stripped naked before her own wild heart,

Nothing left to carry, nowhere left to fail.

7.10.2026

The Rolling Stones: Foreign Tongues album; my review


Foreign Tongues: 

https://www.youtube.com/playlist?list=PLRqbVy5wTt3c

 

Rocking into the midnight hour, staring up at the ceiling or out into the darkness of the moonless night, vices in check, I just listened to every song on the album. Now, I'm ready to go through it again and give commentary.

 

I've followed the Stones all my life. I know what I like. I know what I like with my whiskey. I know what I like in a man. I know what I like with the Stones.  Rarely do I falter...

My first listening, excluding the songs I've already heard countless times before the album's release today (In the Stars, Rough & Twisted, &, more recently, Jealous Lover), I had already detected elements of their 'Emotional Rescue' era — 1980 to be exact. 

In 1980, I was just finishing my 'wonder years' in southern California and in high school. Life revolved around the beach, mostly. It was a time of experimentation into seeing who I would eventually become and from which influences that resonated. 

 So, here we go:

 

Rough & Twisted

This single has been out for a few months now. Blues inspired, Stones are at their best. It's fucking smooth, and it puts me in the mood to just groove while lying on my bed staring into space just soaking up the atmosphere. Lights are dimmed while everything else remains turned on.

In the Stars

Epic Stones. This single was also released months ago, and I still can't get enough of it. I know this song so intimately for this chapter of my life that I can safely say, Yes, I fucking do 'want to dance til the roof caves in'. After all, it's in the stars, baby. It's akin to a life anthem; relaxation, enjoyment, freedom. Sign me up- permanently. 

Jealous Lover

Beast of Burden vibes here. But, I hate the song, lyrics. I, unfortunately, first listened to this track watching the video on YouTube, and I'll never be able to dis-associate the video from the song. The video was just garbage, IMHO. 

Mr. Charm

A fast recovery from the distaste of 'Jealous Lover', 'Mr. Charm' returns to rock & roll I expect from the Stones. 

Divine Intervention

"Respectable' (Some Girls album) vibes for sure. Blues-y Stones swagger. 

Ringing Hollow

Country honky-tonk goodness. Jagger is falling out of love with America in this song. I understand its complexity. Get beyond the political message and just lay back on your bed and listen to it with pure intentions. 

Never Want to Lose You

Banging dance groove. Lyrics...are just alright. 

Hit Me in the Head

Punk-y stones. Charlie Watts on drums (RIP). 1972 guitar riffs. Lots of adrenaline 

You Know I'm No Good

Amy Winehouse tribute. I'm feeling gritty dirty blues and the harmonica... 

Some Of Us

Keith Richards vocals. Deeply emotional and just a sweet ballad. Richard's voice... makes way for a reflective mood. Lying on my bed in the dark, my eyes closed, this felt monumental. Reflections on the passage of time; this IS the Stones. Yes, Keith, 'some of us are on our knees.' The song infects you. This hit deep for me.

Covered In You

 Sleazy-blues with a contemporary flair. I'm getting 'miss you' vibes and it's S E X Y as hell. Pure Sticky Fingers and Exile on Main Street eras. A fucking banger of an ear-gasm for me. I could play this on repeat in the right circumstances with the right person.

Side Effects

Meh. A little too 'angst-y' of a song is my first (and second) impression. This is the song I would get up from my bed to go pour myself another glass of wine.

Back In Your Life

Another beautiful ballad. Stones ballads are not appreciated enough. Classic Jagger. Fucking adore this track. I want this in my life; 'is this how our story will end'. Put on repeat — under the right circumstances. I get high off listening to this track. It just hits differently, reflectively. I mean, I ADORE this track. The boys are pouring their hearts out here.

Beautiful Delilah

The album's closing track, Chuck Berry and rhythm and blues. Full circle Stones. Bravo.  

 

It's nearly the Bewitching Hour, and I am fully satiated.  As Bonnie Raitt and Johnny Lee Hooker said, "I'm in the Mood...". 

 

6.29.2026

29 June, 2026 Internal Cartography Series 33° 31' 58.8" N, 5° 6' 0" W

  29 June, 2026 Internal Cartography Series 33° 31' 58.8" N, 5° 6' 0" W

 Composed while pondering tonight's full moon, biding my time before the Morocco - Netherlands World Cup game starts at 2 am here in the mid-Atlas Mountains.      

 

A full moon sails through the sky,

Charting its path in silence.

Which cartographer will chart my map?

Who will trace the headwaters of my river ­—

Its deep primal pulse?

Who will climb my peaks,

And sink into the guarded depths of my chasms?

Who is patient enough to map this breathing land?

Who is willing to explore my hinterland?

By what name will you claim my terrain?

 

I say to you, cartographer:

Do not rush the landscape or demand immediate answers.

Do not fear the dark heavy heat of my depths.

If you pursue the source of my rushing rivers,

Do not hack through the dense overgrowth.

Let it yield under a slow patient hand.

 

My terrain has been trodden by ancient myths.

My realm is a beautiful weight of ancient earth

And cosmic patience.

My scarred terrain whispers stories

Like ancient petroglyphs.

 

Look up: the full moon circles back tonight,

Closing its quiet arc above the wild.

What if you choose not to return to your land,

And instead, inhabit mine?

 

Map slips from your fingers, useless now.

Ink cannot hold the heat of this earth.

 

What will you do now that you are standing at the edge of the wild,

With no landmarks left to guide you?



 

 

6.19.2026

Atlas Lions Fever

 

 


 

 

World Cup season is upon us, and it’s always something I manage to forget about up until it’s happening again. And then the fever sets in: staying up all night catching all the matches at friend’s houses, heading to the local watering holes to cheer along with other patrons, etc.

Having spent 2 decades in the MENAT (Middle East, North Africa, Turkey), these World Cup experiences each have lasting memories. What do I remember the most?

·      White plastic chairs spilling out onto overcrowded streets facing giant projectors

·      The smell of shisha & cigarettes

·      Hot sweaty nights interrupted only by the sound of electric fans blowing useless breezes in rhythmic cadence

·      Fireworks, horns, chants, dancing in the streets with flags

·      How fierce national rivalries dissolve into regional united regional cheers as a team plays further up the tournament ladder

·      University camaraderie with students and professors watching matches together underneath starry skies on campus

This 2026 season I’m living/working in Morocco, so it is especially exciting as the Atlas Lions are on the rise. I’m noticing that within the A-L groupings that many of the not-as-well-known teams are under-represented- in terms of predictions about matches… As a result, there have been some interesting unexpected draws (Spain/Cap Verde, Portugal/DR Congo, Iran/New Zealand and even Morocco/Brazil). There is this wave of lower-ranked nations upsetting the tournament giants, and I’m here for it.  There is a beauty in this chaos that is equal to the tension.

I think many sports fans supporting the traditional giants are suddenly understanding the significance of AFCON (Africa Cup of Nations). So, this feels especially relevant to be here right now because I feel I’m located in the epicenter of this giant shifting awareness.

In my ideal bracket, I’d like to see Morocco and Portugal in the finals; AFCON grit vs European elite. Obviously, the 2022 quarter-finals between the two teams is still fresh in everyone’s memories. Watching this game on 19 July here in Morocco and then stepping into an airplane on 20 July to Portugal… this would be epic!

Option number 2, for different reasons- both cultural and political, I’d like to see Morocco vs Iran in the finals. Really, though, I’d like to see two MENAT teams compete in the finals. Why? Perhaps I’m naïve, but the reality on the ground of many AFCON nations consists of vague terrain (dirt lots or packed clay fields), improvised gear, or no gear at all (barefoot).

It’s 9 am and I’m lying in bed still riding the high of the Atlas Lions’ victory against Scotland last night – as well as the Brazil win over Haiti. Thus far, I’ve resisted watching many of the ‘giants’ but it’s time to start seeing what England is doing, etc. Tonight, we’re heading to the local watering hole, so I think I’ll focus on the Ivory Coast/Germany game that will be playing; another opportunity to test out the AFCON grit test the old guard.

6.13.2026

Mid-Atlas Late Afternoon Thunderstorm Interrupted

  

 


 

From heavy heat to a cooling downpour,

thunder rumbling

 like the sudden sharp intake of breath

 before skin meets skin.

 

And just like that,

it’s over

just as it was getting started.

 

Heavy heat cloaks tense atmosphere.

Humidity thick, suffocating.

Somewhere a disappointed lover lies back

in damp silence.

Sticky skin.

 

Shivering in the heat of an empty sweat,

desperate for the flood that never came.

Phantom fingers tracing the damp heat,

left burning for a flood that never fell.

 

In time, a cool breeze settles,

cooling the skin yet clearing nothing. 

 

 

6.12.2026

Exodus: Anthology of Romances

  


I’ve never really thought much about moving to a country, setting up my life, living my life, and then exiting that life for another one. I would further say that this feels very comfortable for me. I enjoy the challenge. I dare say I’m addicted to this ‘feeling’. There is such beauty in letting go.

Think about the stages of falling in love; it’s a long process and quite addictive. Falling out of love, again, a long process. Addictive? In a sense, yes. I mean to say, that the feelings resulting…they are nothing short of brilliant for artistic endeavors; writing, painting, etc. Staying in love… that’s the challenge, right? Is this why I run away?What do people write about when they are in love? 

So, I consider countries/working situations for the past 20 years as a sort of relationship, each one. I’ve written about this before, and it’s a constant consideration in my mind. For example, Istanbul was this boyfriend that I was addicted to- even though I knew ‘he’ wasn’t right for me. Istanbul was like what I (naively, I’m sure) think heroin is like. It was extremely difficult to leave, but I did — although it’s always in the back of my mind… New York City was a similar feeling; it was super exciting, but I knew that relationship would never last. It was an epic summer fling. Rarely do I think about NYC. But that’s okay. 

If you can’t be with the one you love, love the one you’re with... Each country mirrors a passionate volatile lover. Infatuation turns into daily living turns into departure. Each departure, although exciting, increasingly becomes more and more difficult, though. Perhaps that’s not the right word choice, difficult. Maybe now, though, it’s that I’m remaining behind. I’m the lover that is being left behind. Of course, I know I will also leave this lover but not just yet…

Being an ‘outsider’ is never my worry, honestly. Or, it is never the reason to leave; this is more appropriate to describe each exodus. Each country is an unpredictable partner, and I think I’ve adapted to this frame of mind. After all, each country I’ve moved to has been about work. I’ve excelled at building family, work relationships, communities, and then exiting them. There is this lingering love connection with each intimate connection I make, and meeting up with these family members in other countries is the logical trajectory. Lovers reuniting. This is what we always tell each other- when we are leaving; the aftermath of the break-up. I’m already dreaming of returning to Turkey next winter. It’s been too long since I’ve connected with that lover.

Because I am a person who likes seeing patterns in things, I think about the inevitable break-up with my current country. Is Portugal going to break the pattern, the chain, for me? I fell in love with Portugal years ago. Portugal, though, I am realizing is not a lover. It’s a partner. Portugal has always been something separate. It’s just always been a stable relationship that I could always count on. So how does Portugal fit into my patterned existence? I’m not sure yet, but I kind of like the idea of staying in love there. Or, I think I’m up for the challenge.

Am I finally shifting from a series of torrid romances to a foundational partnership? I wonder. Is Morocco going to be my last goodbye love letter, my last exodus?

6.10.2026

10 June, 2026 Internal Cartography Series 33° 31' 58.8" N, 5° 6' 0" W

  

It’s not what I say,

It’s what I’ve left unsaid.

 

It’s not what I write,

It’s what I’ve left unwritten.

 

I am an open book,

With a hidden language.

 

That which you cannot hear nor read,

Unless you are free.

 

Liberation flows from within

My root chakra.

 

I am free